Hemingways Themes Essay -- Essays Papers

Hemingways Themes Hemingways greatness is in his short stories, which rival any early(a) master of the form(Bloom 1). The aged(prenominal) military personnel and the ocean is the most everyday of his later works (1). The themes represented in this pa post are morality (Gurko 13-14), starism (Brenner 31-32), and character symbolism (28). These themes combine to create a book that won Hemingway a Pulitzer Prize in 1953 and contri yeted to his Nobel Prize for literature in 1954 (3). capital of Chiles ordeal, first in his struggle with the big fish, and whence in fighting against the sharks, is associated by Hemingway with Christs agony and triumph, (Bloom 2). When capital of Chile sees the second and third sharks coming, he shouts Ay, and Hemingway notes There is no translation for this vocalize and perhaps it is just such a noise as a man might make, involuntarily, feeling the nail go through his leave and into the wood (Waldmeir 28). capital of Chile is ofte n regarded as a Christ figure, and his love for any living creatures and forbearance in physical pain are attributes that subscribe to this idea. However, capital of Chile shares few traits with Christ (Brenner 38). In his book The Old homophile and the Sea Story of a Common domain, Gerry Brenner states Christ is a fisher cat of men, but Santiago is merely a fisherman Christ is a figure with a divine mission, Santiago one with a layman mission (to bring back an oversized fish) Christ is a sufferer who willingly but reluctantly dies for his convictions, Santiago is a persevering hero who is willing to die only to win a battle with a fish Christ is a teacher of spiritual and ethical wisdom, Santiago is a professional with skill and slogans to impart (38). The Hemingway hero is often religious, but their religion is rarely central to their lives (Gurko 13). Santiago is Cuban, at once solemn and credulous (13). However, neither his religion nor his superstitiou s beliefs play a role in his ordeal with the great marlin (13). God is sometimes prayed to by the Hemingway hero in a time of crisis, but He is never depended upon (Waldmeir 29). When Santiago says his prayers, he also says, I am not religious, even as he says his prayer (29). After forty-five hours of struggle have passed, Santiago says, Ill say a hundred Our Fathers and a hundred apostrophize Marys. But I cannot say them now. (Waldmeir 29-30) For those ... ..., Mrs. Ernest Hemingways The Old earthly concern and the Sea Lecture 2000. Timms, David. Contrasts in Form Hemingways The Old Man and the Sea and Faulkners The Bear Modern comminuted Interpretations ErnestHemingways The Old Man and the Sea. Ed. Harold Bloom. PhiladelphiaChelsea folk Publishers, 1999 45-52. Wagner, Linda W. The Poem of Santiago and Manolin Modern Critical Interpretations Ernest Hemingways The Old Man and the Sea. Ed. Harold Spreng 8Bloom. Philadelphia Chelsea House Publishers, 1999 45-52. Wald meir, Joseph. Confiteor Hominem Ernest Hemingways Religion of Man Modern Critical Interpretations Ernest Hemingways The Old Man and the Sea. Ed. Harold Bloom. Philadelphia Chelsea House Publishers, 1999 45-52. Wilson Jr., G.R. embodiment and Redemption in The Old Man and the Sea Modern Critical Interpretations Ernest Hemingways The Old Man and theSea. Ed. Harold Bloom. Philadelphia Chelsea House Publishers, 1999 45-52. Young, Philip. The Old Man and the Sea Vision/Revision Modern CriticalInterpretations Ernest HemingwaysThe Old Man and the Sea. Ed. HaroldBloom. Philadelphia Chelsea House Publishers, 1999 45-52.